Previously on CSI: NewYork...
TAYLOR: You never reported her missing.
My sister had a habitof... disappearing.
We're gonna do everythingwe can Damn right you are.
Is that fromRoni Parker's grave?
Cases involving a colleague arealways tough, but this one...
Chief Carver beingso on top of it...
Well, his sister was killedand buried in the park,
and somebody's digging her upafter all these years.
I think I'd beall over it, too.
This could be our killer.
How do you figure?
Most thievessteal an identity
for days, maybe weeks.But years?
They took overRoni Parker's life
because they knewshe was dead.
This is who stole my sister'sidentity.
(loud thunderclap)
Mm.
(sighs)
(footsteps)
(whispered gasp)
(faint rattling)
(stifled cries)
(thunderclap)
(whimpering)
(frightened cries)
Please!(panting)
I'm so sorry!You don't have to do this.
I'm so sorry.Please don't hurt me.
(panting)
(zapping)
(groaning):No...
(grunts, panting)
No!
(groans)
(gun hammer cocks)
(thunderclap)
(splash)
(distant sirens wail)
(indistinct voices)
TAYLOR:It's definitely her.
Oh, my goodness! That beatingspeaks to pure rage.
Wasn't the beatingthat killed her.
DANVILLE:Shot in the heart.Someone making
an emotional statement?
This was no Boy Scout.
Somebody tried to weigh herdown; the knot came undone.
HAWKES:Harbor saysthey got the call
around dawn. Couple offishermen spotted her.
(grunts)
No particular hemorrhaging.
She hasn't beenin the water long.
Maybe a couple hours.
Well, it was a slack tide
till about ahalf hour ago.
Probably didn't travel far.
Still wearing her night clothes,so wherever she was laying
her head is probablywhere she was killed.
FLACK:I got my guyscalling hotels
and motels in the areafor anyone who checked in
in the last 24 hours,paying cash.
You all right, Chief?
Yes.
Just wasn't expecting this.
Hoping thatshe'd have some answers
to my sister Roni's murder.
DANVILLE:This vic spent years living
as your sister. So until we knowher true identity, there'll be
more questions than answers.
CARVER: Probably ranback to the city
to find someone she trusted;someone from her past.
Somebody who wasn'tvery happy to CARTER: Water probably
washed away any hope we had offinding out who did this.
Not all hope.
The killerleft something behind.
Captioning sponsored by CBS,
CSI NY PRODUCTIONS,
♪ Out here in the fields ♪
♪ I fight for my meals ♪
♪ I get my back into my living ♪
♪ Yeah, yeah, yeah, yeah. ♪
(distant sirens)
♪ Could a body closethe mind down ♪
♪ Stitch a seamacross the eye ♪
♪ If you can be good,you'll live forever ♪
♪ If you're bad,you'll die when you die ♪
♪ Hearing only one true note ♪
♪ On the one and only sound ♪
♪ Unzip my body,take my heart out ♪
♪ 'Cause I need a beatto give this tune ♪
♪ Ooh, ooh ♪
♪ Ooh, ooh, taking a picture ♪
♪ Ooh, ooh,taking a picture ♪
♪ Ooh, ooh, taking a picture ♪
(cracking)
♪ All the bodies sway to music ♪
♪ Oh, the lightning glance ♪
♪ I would give it all and all ♪
♪ Maybe you would hear me askfor half a chance ♪
♪ Hearing only one root note ♪
♪ Planted firmly in the ground ♪
♪ Undo my heart,unzip my body, yeah ♪
♪ Lend to my ear a clear anda deafening sound ♪
♪ Ooh, ooh, upzip my heart ♪
♪ Ooh, ooh, ooh, ooh ♪
♪ And if I need a rhythm, it'llbe to my heart I'll listen♪
♪ If it don't put metoo far wrong ♪
♪ And if I, and if I... ♪
♪ Everybody smile at me,nobody pay no mind to me ♪
♪ Finger in positionon the switch ♪
♪ A little flash photography ♪
♪ Taking a picture of you ♪
♪ Taking a picture of,taking a picture of me ♪
♪ Taking the picture,rama-lama, bang-bang ♪
♪ Crash-bang, bing-bang,bing-bong, ding-dong ♪
♪ Dum-dum, dum-dum ♪
♪ With a hammer, bang-bang ♪
♪ Flash bang, press gang ♪
♪ Bing-bong, ding-dong,dum-dum-dum... ♪
What's so urgent you couldn'ttell me over the phone?
I have to believe you'd be smartenough not to use your own gun.
Watch yourself, Mac!
You can't honestly believe Ikilled that woman.
What I believe is that SidHammerback just pulled
a slug from her bodythat came from a gun
registered to you.
I lost that gun years ago.
And you never botheredto report it?
And you just lost that one; notthe two service weapons you own?
I don't expect you to believeme, but yes, just that gun.
Just help me out here, Ted.
Tell me why I shouldn'tbelieve you killed
the only suspect in yoursister's murder?
Can we go for a ride?I want to show you something.
(car horn honking)
TAYLOR: All right, so whatare we looking at?
Well, my sister lived with herthree kids when she disappeared.
Drug addicts, prostitutes.
My sister was one of them.
Worst of all, though,she was a horrible mother.
If you'd have asked me backthen if I had a sister,
I would have told youshe was dead.
When was the last timeyou saw her?
(sighs)Came home one night.
She was waiting outside myapartment; strung-out, hungry,
looking for money.I let her in.
Gave her something to eat. It'sthe only time I can think of
that she had an opportunityto take the gun.
That was 15 years ago. Whydidn't you report it stolen?
Couple of months before I evenrealized the gun was gone.
By that time I had the kids.Things were good.
They were thriving. I didn'twant her to come back.
And if you reported it, someonemight go looking for her.
I figured, one day,she and the gun would show up.
I'd deal with it then.
Mac, listen, I promise you
I had nothing to do withthat woman's murder.
(car horn honking)
♪ ♪
(beeping)
Mac? Okay, our victim was using
Roni Parker's identityto hide from a man
with a historyof domestic violence.
Her real name is Marcella Gomez.
She came to New York 15 yearsago on a K-1 Visa from Colombia.
She filed forwhat's called a
"Petition for Alien Fiancé."That gentleman, Mitch Barrett,
is listed asher future husband.
An immigration marriage scam.
Barrett pays for the privilegeof marrying Marcella.
She gets to stay in the country.
I'm sure she was just a poor,lonely, desperate woman
hoping to find a better life.
And insteadshe found herself being used
as Barrett's personalpunching bag with benefits.
(knock on door)
FLACK:Mitch Barrett! NYPD.
Who?!
NYPD. We need to talkto Mitch Barrett.
(distant sirens,radio transmission)
(sighs)
BARRETT:You got a warrant?
FLACK:If I had a warrant,
you would be face downon the ground in handcuffs
sucking in dust balls,and we wouldn't be
having this conversationthrough the door.
I don't think so.
You don't think so, what?
Hey, look, Mitch,it could be nothing.
We just want to ask youa couple questions
about a girlyou m(gunshots)
OFFICER:Whoa! Shots fired!
Central, we have shots fired at1754 Albemarle Road, 3rd floo.
Yeah, we're good.guys okay?
We're good, we're good.
BARRETT:Come on in. It's open.
(whispers)On three.
One...
two...
Down on the ground. Now.
Do it!
Or what?
You gonna shootan unarmed man?
Get down on the groundand face the floor. Now!
No. You want to putthose cuffs on me?
You need to come and get me.
Come on!
(grunting)
Come on!
Ooh!
(chuckle)
(grunt)
(clamoring shouts)
(distant sirens)
(sighs)
(door opens)
Yo, Adrian!
How are you liking yournew accessories? They fit?
How'd you knowI killed Marcella?
Be honest with you?
We were a little iffy
until you started shootingat us through the door.
Actually, the reflective paint
that you left behind after you stomped her half to death.
You know, just before you shot her?
You're the only guyon three road crews
repainting lines the last couple days who has
a rap sheet says he likes to beat women.
Why'd you kill her?
That was just mekeeping a promise.
DANNY:Keeping a promise?
Promise to who?
I told her...
"If you ever try to run awayfrom me, I'll kill you."
Took 15 years,but here we are.
(Danny laughs)
I can't imagine whyshe got cold feet.
Look, when I met her,
she had nothing.
I gave her a place to stay.
I put clothes on her back,food in her mouth,
and she runs away?! Huh?
That's how she repays me?!
Settle down, Mother Theresa.
How'd you know thatshe was at the, uh,
not so Grand Parker Hotel?
Same wayyou know things.
A little... birdwhispered in my ear.
FLACK:Oh yeah?
A little bird alsogive you a gun?
She had the gun.
(gasps)
I'm so sorry! You don'thave to do this!
She had the gun?
That's whatyou're going with?
That ain't what I'm going with.It's the truth.
(laughs)I don't need no guns.
I went there to give her an old-fashioned beating with my fists.
The gun was justthe icing on the cake.
Wow.
♪ ♪
(camera shutter clicks)
(beeping)
(scanning)
When Flack and his peoplegot to the hotel room
where Barrett killed Marcella,
her bag had been turned upsidedown and everything dumped out.
At first we thought Barrett was looking for money,
but his prints weren't on any of her stuff.
So Marcella was searching forsomething in that bag
right before she was killed.
Probably Carver's gun.
I recovered two setsof overlapping prints
on the weapon.Barrett's prints
were on top of Marcella's.
Okay, then Barrett's tellingthe truth
about Marcella having the gun.But where did she get it?
Probably the same placeshe got her identity.
She stole it.
No. This wasn't your standardcase of identity theft.
She didn't juststeal some credit cards
and run up some charges.
Marcella assumedRoni's identity.
She had to knowRoni was dead.
Otherwise, she would havebeen taking a big chance
So Marcella killed
Chief Carver's sister Roni.
DANVILLE:No. There's no way.
His sister Roni was bludgeonedand stabbed to death
in a very up-closeand personal way.
Marcella doesn't feellike a killer.
She's just a frightened,battered woman
running from an abusive man.
Well, if you are right,
then who killedChief Carver's sister?
Carver's lying.
Lying is not a crime.
Murder is.
Do you really think thatChief Carver killed his sister?
I think he had somethingto do with it.
At the very least, I thinkhe knows more than he's saying.
Okay, if you go up theremaking accusations like that,
and you're wrong,there's serious consequences.
I can handle the consequences.I (elevator bell dings)
Please don't geton that elevator
without hearing me out.
I think you're lettingyour emotion
cloud your judgment.
My judgment has neverbeen better.
There's too many thingsthat don't make sense.
A cop doesn't lose his gunand not report it.
There's no way thatCarver goes to sleep every night
knowing his gun's stillout there.
Until this moment,you seemed to buy it.
I wanted to buy it.
I wanted to buy thatTed Carver was a good man,
and didn't look mein the eye and lie to me.
What if you're possibly wrong?
Carver takes the kids,
never reportshis sister missing.
All these years, Marcellasomehow knew that no detective
would come knocking on her door,looking for Roni Parker?
How would she know that?
These are good questionsthat have to be answered.
Here's another question.
Why wasn't Marcellaat her apartment
when we cameknocking with a warrant?
He tipped her off that we werecoming, and she ran...
right into the fistsof Mitch Barrett.
Mac, we are talking about theChief of Manhattan Detective.
He's no differentthan anyone else.
Yes, he is. He's the chief!
And because he's the chief,we need more than this,
and you know it.
Just give mea little time, Mac.
I saw the way helooked at her on that dock, Jo.
He knows who Marcella Gomez is.
And he knows who stabbedRoni Parker to death.
All right, I need to knowwhere we are and what we know.
If there's a connection betweenRoni Parker and Marcella Gomez,
other than the gun and the ID,I can't find it.
There doesn't seem to beany motive for Marcella
to kill Roni Parker.
Any link between Marcellaand Chief Carver?
We know Marcella lived inCarver's precinct,
when she arrived in the country.That's about it.
There's nothing on paper toconnect them.
No complaint reports; she wasnever arrested.
Anything newwith the evidence?
Yes, the high cell content
in the soilpreserved Roni's body.
It also prohibitedthe microbes from corrupting
the DNA on the gum that was found in the grave.
I was able to extract and amplify
a usable profile, but the bad news is...
there's no hits in CODIS.
LINDSAY:Now, this jacketwas used to cloak
Roni's face whenshe was buried.
DANVILLE: Which is typical when
a killer has a personal relationship with the victim.
Now, it was hand-sewnby a custom tailor...
...a guy by the name of Mario Bottone.
He kept great records, and he knew
all his clients personally.We took him the jacket,
and he matched it to a paperpattern he had on file
for a long-term client
by the name of Richard Hudson.
Now, Hawkes and Ispoke to him yesterday.
HUDSON:Am I supposed to know her?
(laughs)Come on, Mr. Hudson.
Your heart just aboutleapt out of your chest.
HTold you. I don't.?
(sighs)
What about this jacket?
Oh, God.
(sighs)
Am I going to need a lawyer?
Only if you killed her.
This can't get backto my wife.
Or my employer, I...
My family would be devastated.I-I'll lose my job.
How did you know her?
It was like 15 years ago.
Things were not goodwith my wife.
We had little kids...
You know, you can saveall that for Dr. Phil.
We dated. Okay?
How much did you payfor those dates?
What was the deal?Dinner, drinks,
then up to her roomfor a happy ending?
But this didn't endso happy, did it?
Look! I used to see hersometimes, okay?
Well, what happenedthe last time you saw her?
W-we... we hada few drinks at Mantle's.
We started to takea walk in the park.
It was chilly,so I-I gave her my jacket.
I left my credit card
at the bar, so I-Itold Roni to wait for me.
I-I ran back inside to get it.When I came back,
there was a coptalking to her.
I swear to you, the last time Isaw her, she was with that cop.
HAWKES: Would you recognize
this officer if you saw him again?
HUDSON: It was a long time ago.
I-I never got a look at his face.
I hesitate to use the word"credible,"
but I think he wastelling the truth.
DANNY:Jo, this knife that we pulledout of Roni's grave
also has an interestingstory behind it.
According to Sid...
the blade is consistentwith the stab wounds
and the tool marksfound on Roni Parker's rib cage.
I was able to geta partial DNA profile
from the protected part of the knife.
It came back to this guy.
DANNY:It's Jimmy Valdez.
That picture was takenwhen he was 15 years old.
And this is him today.
Well, he had more than...
a few brushes with the lawwhen he was a teenager,
but he doesn't seem to havebeen in any trouble since then.
Any connectionto either of our victims?
ADAM: Nothing.But this is definitely
his DNA on the knife.
Any other evidence to link himto the murder of Roni Parker?
Not right now. But Flack pickedhim up a half an hour ago.
He's got him overat the precinct on ice,
waiting for me to be done here.
You're done here.
Where'd you get this?
From her.
Her name is Roni Parker.
She was stabbed to death inCentAnd you're saying 1995.
this knife was usedto do that?
That's what I'm saying.
You think I'm the onewho killed her?
How's that impossible?
It's been awhile, butI'll never forget that knife.
It was in the window of thehardware store,
around the cornerfrom my building.
I had my eye on it for thelongest time. And my older
brother gave itto me on my 15th birthday.
He told me to keep it in my pocket, just for protection...
not to show it off.
I couldn't keep my eyes off it.
I had to show my friends.
Big mistake.
You gotta find that cop. He's the one that had that knife.
If you saw him again,you think you'd recognize him?
I don't know. Maybe.
(computer beep)
Take your time, Jim.No rush.
I think he's tellingthe truth.
He wouldn't make upan alibi like that,
"a cop took my knife."
Hmm.Story makes sense.
In those days, every copwho walked the foot post
had a shoebox fullof knives in his locker.
Do you have a shoebox fullof knives in your locker?
Promise not to tell.
You're not going totell me, are you?
Back then, the crime ratewas much higher.
A cop leavinghis post
to get a pocketknifeoff the street
wasn't a wise useof manpower.
Well, I'd imagine that'd get
a watch commander's pantiesin a bunch.
No doubt. Probably have youassigned to the middle
of the Brooklyn Bridgeon a midnight.
FLACK:We showed him photosof every cop
walking a foot post anywherenear Chambers and West
the day he hadhis knife taken away.
He didn't recognizeany of them.
We even showed him cops fromadjoining precincts. Nothin.
You show hima photo of Carver?
Carver was nowhere nearChambers and West that day.
The roll call had assigned himthe the 11th Precinct.
Can we check to seeif he was on court alert?
Why are you so sureit's Carver?
I'm not sure. But West andChambers is the subway statin
where cops get offto go to Yeah. And if he was activated
on a summons case, he would'vepassed that corner.
DANNY:And those alerts
aren't usually reflectedon the roll call.
You call the court section.
I'll pull up an arraywith Carver in it.
Jimmy, I got one morearray to show you.
Then I'll let youget out of All right, no sweat.
That's him!
That's the guy who tookthe knife off me.
(indistinct shouting)
(cheering, applause)
Way to go, Kyle!
I'm here watchingmy grandnephew play soccer.
This better be good.
I don't know ifI'd call it good.
What exactly can Ido for you, Mac?
You can tell me whyyou murdered your sister.
(distant sirens wailing)
He positively identified youin a photo array.
So, what? You think I tookthis knife off the Valdez guy,
and used itto kill my sister?
Fine.Put the cuffs on me.
Take me away.Lock me up.
What?You don't have enough?
You know what happenedto your sister, Ted.
This is your opportunityto tell your side of the story.
Wh-- What, did you come herelooking for a confession?
Mac, all right. Look.
You listen, and you listen good,all right? This ends now.
No more intrusions.No more unannounced visits.
This isn't going away.
I'm not going to stop until Ihave enough to make it stick.
Yeah, well...I suggest you get to work then.
COACH:I want you to know,
you guys didfantastic today.
Fantastic! No, it's allright, it's all right.
BOY: But we lost, Coach!
It's all right. It's all right.You want to know why?
'Cause we worked hard;you had fun.
And we respectedourselves;
and we respectedour opponent.
(typing, blips)
Yo!
(mumbling)Hello! Boss...
Everything okay, boss?I saw you looking... and I...
Adam, I want you to compare theDNA profile you recovered
from the chewing gum we foundin Roni Parker's grave
to her own profile.
Uh, boss, I already typed it.
The DNA on the gumcame back to a male donor.
It's definitely not hers.
I know. Just do it.
Okay, Sid. I need to know
if Ted Carver'sphysical stature and strength
are consistent with the injurieson this victim's body.
(sighs) Ted Carver wasa familiar face aroundhere for several years.
I can't believe we're eventalking about him
as a murder suspect.We, uh, we used to joke,
uh, you know, with thatlast name he should have
been a medical examiner.
Or a killer who likesto use a kYeah.
But in this case,I don't think he's your suspect.
Roni Parker was five foot nine.
Carver is six four.
And all the stab woundsare in the lower abdomen;
all below the seventh rib.
The tool marks
are on the undersideof the bone, which means...
she was most likely stabbedin an upward angle.
Well, it's not an exact science.
There can be a lot of variablesinvolved here, such as
body position of both thesuspect and the victim, but
those stab woundscoupled with this...
the blunt force injury to theback of the head
was in the occipital region.
And with someoneCarver's height
the injury most likely wouldhave been to the parietal area.
Parietal? Impressive.
And the blow to the back of thehead was delivered...
by a solid, blunt object--
maybe a large stone--at an upward angle.
And it causedonly a hairline fracture.
Someone as powerful as Carver
likely would havecaved in her skull.
(sighs)
(typing)
Sid believes we're lookingfor someone much smaller
and much less powerfulthan Carver.
Someone like Marcella Gomez.
We've been through this before.
I need motive, andI need evidence.
What reason would Marcella haveto kill Roni Parker?
I don't think she did it, Boss.
We got a match.
(distant sirens wail)
MAN: All right, everyone.This is how it's going to go.
The bride and the father walkdown the aisle.
Music is playing.Very good.
That's it.Now you deliver the bride.
And you'll be asked, "Who givesth(door opens)an...?"
Father steps back,but does not sit down.
Uncle Ted...
Go to Julie,she's going to need Look, Jay, don't...
No, please! Please.
I did it, Detective.
I killed my mother.
(car horn honking)
(distant sirens)
Where did you get the knife?
Um, my Uncle Ted wouldstop by a couple times a year,
usually on birthdays, andsometimes he'd bring a gift.
He knew thatI liked to
carve things out of wood,so he gave it to me.
Told me never to take itout of the house, and I didn't.
Until that night.
It's 7:00.
Yeah, yeah.Whatever.
(screams)
Jay? What the hellare you doing?!
(panting):You little...
(screams)
(squishing thud)
(groaning and panting)
(sq(grunting)uds)
(yelling)
Did your uncle help youdispose of the body?
No.
No, I did that all by myself.
(panting, dirt shoveling)
(grunts)
(sobs)
DANVILLE: Why'd you decide to go and dig up your mother's body?
I was, uh, readingin the papers
that the city was planning onexpanding a... a bike path
into that area of the park,and I was...
I was just afraid that
they would uncover the body,so I went there to move it.
So when you went to thepark that first time,
did you go thereto kill your mother?
I'm not going tolie to you, Detective.
This is somethingthat I thought about
for a long time.
Yes, I did.
I planned it.
I went there to kill her.
Thanks, Mac.
How'd you figure outit was him?
DNA on a piece of chewing gumfound in your sister's grave
was a familial match to Jay.
To be honest,Ted, I thought
it would come backa match to you.
Almost wish it did.
When did you know?
He called me...
crying... couldn'tbring himself
to tell me what he had done.And when I got...
home, he was waitingon the stoop.
And he told me he'd...he'd killed Roni.
He wanted to... turn himself in...
to me.
Look at your face.All right, come on.
Get upstairs.
I took him inside. Got him cleaned up.
But why, Jay?
Why would a 14-year-old boy wantto kill his mother?
Why?
I'll show you why.
Oh, dear Lord!
My God, Jay!
God! Jay! Jay!
It's all right.
It's okay. Come on. Sit down.
DANVILLE: I'm so sorrythat had to happen to you.
JAY:It's okay.
(sighs)
I know it sounds crazy,but I sort of got used to it.
Did she do the same thingto your brother and sister?
For a long time, it was just me.
But then they startedgetting older,
and I would come home fromschool, and I would see the...
I would see the welts,and the burns and the bruises
on their bodies.I thought the only chance
they had to make itstop was me.
Because there was nobody elsethere to protect them.
I didn't seeany other way out.
I was really afraidthat one day she would kill us.
(sighs)
We had nobody.
(sighs)
I knew what a monster she was;
what those kidswere living with.
I should have been there.
There's no use looking back.You can't change what is.
Mac, I putthat knife in Jay's hand.
It was just sitting upin my locker.
He likedThat knife didn't
stab your sister; Jay did.
If it wasn't that knife,it would have been another.
None of this had to happen.
I could have stopped it.
You did.
Taking those kids in;adopting them.
You turned their life around.
(door opens)
(distant telephone ringing)
(sighs) I just wish it hadn'tbeen this hard to get there.
One thing I...don't understand.
Your connection to Marcella.
I was walking my footpost at a midnight tour,
and she was sitting thereon the curb,
in the rain, crying...talking about killing herself,
to get away from Barrett.
Even too terrifiedto file a complaint.
Well, I get whyyou'd give her Roni's identity
as a way to escape, but...
why would yougive her your gun?
Later that night, I hada little chat with Barrett.
He was one of those guys, Mac,
you know, the kindthat scares the hell out of you.
And I knew...if he found her he'd kill her.
You were right.
(sighs)
I have to livethe rest of my life
knowing that he usedmy gun to do it.
I keep waiting.
For what?
For the sadness to come.
For the day that Ifeel guilty for what I did.
If I'd known thenwhat I know now,
I never would havedone it, but...
I'm not sorry for it.
The world is a better placewithout my...
...without her.
(knocking)
Quite a case!
Kind of sad to see
a guy like Ted Carvergo out like this.
He was one hell of a copin his day.
Well, there could be worse.
He could have been arrested,
or charged criminally.
The department was his life.
Being fired and stripped of hispension's far worse than any
charges the DA could file.
They made the right decision.
You must beone hell of a poker player.
What are you talking about?
Come on, Mac!
"They madethe right decision"?
I just got backfrom the DA's office,
where we were meetingabout Jay's case.
You know, one of mygreatest assets
is my Southern charm.
Folks around here don't quiteknow what to do with that.
They open up.They tell me things.
Things likeyou going over there
and persuading them not tocharge Carver criminally.
All I said was,"Ted Carver's not a perfect man;
"he's made some mistakesin his life,
"but that's no reason
to erase all thegood he's done."
What about Jay?Where do you stand on that?
I understand why he killedher-- he was just a kid.
And Roni was pure evil.
But he planned it.
And I-I'm not sure...
how to justifypremeditated murder.
Well, after interviewingall the kids,
and corroboratingall the stories
and all the old injuries,
the DA has no interestin taking Jay to trial.
He'll agree to a plea ofmanslaughter, with no jail time.
What do you think about that?
It's not importantwhat I think.
What's important
is that Ted Carver took ahorrible set of circumstances
and turned it intosomething... special.
♪ ♪
Captioning sponsored by CBS,
CSI NY PRODUCTIONS,
Captioned byaccess.wgbh.org oup at WGBH